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"I'm thirty-six years old, I'm lonely, my hair comes out of a spray can." - Jon Lovitz as Jay Sherman

The Critic: The Complete Series DVD Review

By Jonathan Boudreaux

In January of 1994, The Critic premiered on ABC. This animated series, created by The Simpsons producers Mike Reiss and Al Jean, follows the adventures of Jay Sherman (Jon Lovitz), a bald, pudgy film critic for a New York City UHF television station. Schlubby Jay hates almost every film he sees, loudly proclaiming "It Stinks!" for each film reviewed on his show, Coming Attractions. Jay's series is one of Phillips Broadcasting's (formerly "Duke Phillips' House of Chicken and Waffles") lowest rated shows, losing even to a talk show hosted by a man whose tongue is stuck to an ice cube tray. At one point, Jay struggles to gain higher test screening likeability results than old footage of Hitler. The station's Ted Turner-like owner, Duke Phillips (Charles Napier), wants Jay to lighten up, either by giving positive reviews to films that feature English-speaking casts or by having a live grizzly bear chase him around stage. Jay's emphysematic makeup lady, Doris (Doris Grau), just wants to chain smoke her cigarettes in peace without setting fire to Jay's spray-on hair.

Jay's home life is just as unsuccessful. His WASP-y adoptive parents are a tad strange. Mother Eleanor (Judith Ivey) is so cold and unsentimental that her idea of a compliment is "Oh, Jay - you look good enough to bury!" His father, Franklin (Gerrit Graham), is a daffy former New York governor who has lost touch with reality ("There's a reason there's a banana in my ear. I'm trying to lure the monkey out of my head"). Providing a touch of sanity is Jay's idealistic and loving younger sister, Margo (Nancy Cartwright).

Another bright spot in Jay's life is his equally rotund son Marty (Christine Cavanaugh), even if spending time with Marty means that Jay has to encounter his psychotic ex-wife. Marty has a sunnier outlook than his father does, not to mention more hair.

Rounding out the cast of characters is Jeremy Hawke (Maurice La Marche), a hunky Australian movie star and Jay's best friend. Jeremy, star of such blockbuster hits as Crocodile Gandhi, often offers Jay advice and support - unless, of course, there is a mirror nearby in which he can stare at his own handsome mug.

From the moment its wistfully urbane theme music (by Hans Zimmer) and main title sequence begins, it is obvious that The Critic is not a typical animated TV show. Not as frenetic as The Simpsons or as straightforward as King of the Hill, The Critic manages to be both an effective Valentine to New York City and a fun comedic romp. The characters relate to each other in funny yet realistic ways.

A perfect example is the episode "Every Doris Has Her Day." In it, Jay befriends makeup woman Doris. As they spend more and more time together, the line between friendship and dating begins to blur.until Jay comes to the realization that Doris might actually be his birth mother. The episode features excruciatingly funny homages to The Birds and Woody Allen's films, but it is also an extremely effective portrayal of friendship and love.

The relationship between Jay and Marty is also a rich one. Marty, who is in junior high at the United Nations Private School Teaching Brotherhood and Tolerance to Those Who Can Afford It, is less neurotic than his father, but is still a shy, unassuming kid. Standout episodes that expertly explore this father/son relationship include "A Day at the Races and a Night at the Opera" and "From Chunk to Hunk." The latter episode is especially poignant. In it, Marty is transformed into a hunky, popular guy after a visit to a weight loss camp, but soon learns that perhaps it would be better to be liked for who he is, not how much he weighs.

Of course, the series is also just plain funny in both its dialogue and its visual humor. One running gag centers on the movie-related swag that Jay receives from production companies, from his My Left Foot and Tootsie socks to his "Shaft: Coming Soon!" boxers. While waiting in line to see a movie, Jay bemoans the fact that so many films are based on TV shows. Behind him are posters for "Family Feud: The Movie" and "M*A*S*H - The Movie of the TV Show, Not the Original Movie."

Jay's profession allows the writers to parody both movies and movie stars. The Piano, Home Alone, The Lion King, Marlon Brando, and a certain present governor of California are just a few of the show's targets. Some of these jokes have not aged well, and a handful of gags are repeated much too often (really, how many Marlon Brando jokes do we need, especially when they are all essentially the same), but many are imaginative and funny.

On ABC, The Critic served as a lead-in to the network's mega-hit Home Improvement. The series did not do well, and it was cancelled after thirteen episodes. The Critic was then picked up by Fox. When it joined Fox's Sunday night schedule in March of 1995, several changes were made. Most notably, Empty Nest's Park Overall joined the cast as Alice Tompkins, a divorcee from Tennessee who served as Jay's love interest. This attempt to "fix" the show and make Jay more likeable does not quite work - he is much more interesting as a total loser - but even so, the series remains fun to watch. After ten episodes on Fox (one of which is a clip show), the series was again cancelled.

Famous guest voices on The Critic include Gene Shalit, Brenda Vaccaro, Geraldo Rivera, Bob Costas, Rod Steiger, Rod McKuen, Gene Siskel & Roger Ebert (in the stand out episode "Siskel & Ebert & Jay & Alice"), Rex Reed, Ricki Lake, Queen Latifah, June Lockhart (Lost in Space), Kareem Abdul-Jabbar, Milton Berle, Adam West, Jimmy Breslin, and Steve Allen.

The twenty-three episodes that make up The Critic: The Complete Series are collected on three discs. The discs are housed in a colorful digipak decorated with images from the series. A booklet with an episode guide is housed in a pocket of the digipak. The digipak itself slides into a cardboard sleeve. The menus are simple yet fun, and viewers can choose to either play all of the episodes on a disc or watch an individual one.

Video and Audio

Both the audio and video are terrific. There are a few slight specks of dirt and white spots, but for the most part, the video is so clear that individual paint strokes are occasionally visible in the images.

Extras

Surprisingly enough, there are quite a few extras, none of which are listed on the packaging!

Each of the three discs contains at least one commentary track; in total, nine episodes feature commentary. The core group of commentary participants includes Creators/Producers Mike Reiss and Al Jean, Supervising Director Rich Moore, and vocal talents Nick Jameson and Maurice La Marche. Special guest commentators on select episodes include Executive Producer James L. Brooks, writer Steve Levitan, Art Director David Cutler, and actor Charles Napier. The show's star, Jon Lovitz, is missing because he was apparently filming a movie when the commentary tracks were recorded. Still, fans of the series will be delighted by these commentaries - the participants are funny and informative.

"Trailers" on disc one includes two commercials for other Columbia/TriStar TV DVD collections, one centering on "Contemporary TV" (The King of Queens, The Best of The Steve Harvey Show, Dawson's Creek, The Best of Designing Women, Married.with Children, My Big Fat Greek Life, Mad About You, and The Larry Sanders Show) and one on "Original Programming TV" (The Tick, Dilbert, and The Critic).

Disc two contains a feature that allows viewers to see storyboard comparisons for the episode "A Pig-Boy and his Dog." By pressing enter when a movie reel symbol appears on the screen, the viewer taken to a featurette that shows the storyboard for the scene on the top half of the screen, a rough animatic on the bottom left of the screen, and the finished scene on the bottom right. Supervising Director Rich Moore and Art Director David Cutler provide commentary during the featurettes. At the end of the featurette, the viewer is taken back to the point in the regular episode where he or she was prompted to press the symbol. There are three featurettes in the episode. The first two are in the second chapter and the final one is at the end of the fifth chapter. This storyboard to final product comparison is a worthy feature, but since there are only three such comparisons over the course of the episode, the comparisons should also be accessible without having to watch the entire show. As it is, viewers who wish to use this feature must watch for quite a stretch without encountering one of the interactive movie reel symbols.

"Trailer Parodies" on disc three is a four and a half minute collection of trailer parodies from the series. Also on disc three is "Top Ten List," a six and a half minute compendium of movie parodies from Jay's show. Both of these features simply recycle footage from the show, but might help fans convince their skeptical friends to watch the series.

Disc three's "Creating The Critic" is a twelve minute featurette exploring the creation, development, and casting of the series. Included are interviews with Brooks, Jean, Reiss, Moore, La Marche, and Jameson, as well as shots of original drawings and rough animatics. Although brief, this extra is a welcome addition to the set. Unlike many similar featurettes, the emphasis is on the new interviews rather than on clips from the series.

Finally, disc three offers a collection of ten "Webisodes" of The Critic that were originally produced exclusively for the internet. Each webisode runs approximately three minutes. The animation is cruder than in the regular episodes, and the supporting cast has been completely jettisoned, along with much of the show's heart. Still, this is a great extra for fans of the series.

Each of the extras on disc three is preceded by a parody of the slide show trivia/commercials that are now prevalent before movies begin in theatres. This mix of fake trivia and "fun facts" ("The Oscar is named for Oscar Meyer, producer of bland, overpriced baloney," "What is Ron Howard's next move after The Grinch?...Changing his name.") is often quite funny, but impatient viewers can simply hit the enter button to skip straight to their desired extra.

Summary

The Critic: The Complete Series is a perfect example of why DVD is such an extraordinary medium. The show did not find an audience while it was on network television, but this set will allow fans and newcomers alike to enjoy this neglected series and its supplemental material in one colorful package. The only problem is that discovering a show like The Critic for the first time on DVD is bittersweet - the series is fun and charming, yet we are faced with the sad realization that there is no possibility of seeing any more of it.

1/25/04

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