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"Here's one for you to try, Ethel: Trigger!" - Fred Mertz (William Frawley) to his wife Ethel (Vivian Vance) at Grauman's Chinese Theatre upon learning that she has larger feet than both Joan Crawford and Tyrone Power

I Love Lucy: The Complete Fifth Season DVD Review

By Jonathan Boudreaux

In I Love Lucy's stellar 1954-55 season, the series' creative team - creator/producer Jess Oppenheimer and writers Madelyn Pugh and Bob Carroll - revitalized the show by packing the Ricardos (Lucille Ball and Desi Arnaz) and the Mertzes (Vivian Vance and William Frawley) off to California when Ricky is offered a part in a Hollywood film. How would they follow up a season which includes such memorable moments as Lucy accosting William Holden at the Brown Derby, Lucy fighting.and losing.against an oversized headdress while filming a bit part in a movie, and Lucy facing off with Harpo Marx? By sending the two clans to conquer Europe, of course!

As the fifth season begins, the gang is still in Hollywood, where Ricky has just wrapped filming on his screen debut ("Lucy Visits Grauman's"). Fred, Ethel, and Lucy are disappointed to learn that he plans for them to return to New York right away. There are still too many sights left to see. And besides, Lucy's souvenir collection - which includes an orange autographed by Robert Taylor, Richard Widmark's grapefruit, and an old tin can smushed by Cary Grant's left rear wheel - isn't quite big enough. Ricky grants them an extra week, and the three head off to Grauman's Chinese Theatre, the landmark movie palace where the historic sidewalk enshrines the handprints, footprints, and autographs of Hollywood's luminaries in cement. When she discovers that John Wayne's concrete slab is loose, Lucy decides that it would add much-needed heft to her souvenir collection. This episode - along with "Lucy and John Wayne," its unofficial second half - is classic I Love Lucy. Idiotic schemes, crazy mix-ups, quick drying cement, Lucy wearing a purse over her head to cover up her curlers when meeting John Wayne - everything we've come to love about Lucy is here, starting the season with a bang.

Soon, the Ricardos and the Mertzes are on their way back to New York, this time via train in the screwball episode "The Great Train Robbery." When Lucy notices that her train car houses an emergency brake, she comments on the lunacy of the conductor having to run that far back in the train in order to make an emergency stop. Shouldn't it be in the engine car? Once she learns that the emergency brake is actually for passengers to use, she repeatedly employs it in the face of minor "emergencies" - she forgets her purse on the platform, she thinks Little Ricky has been kidnapped, she mistakes a jeweler for an escaped jewel thief. Sitcoms have employed the emergency brake gag for laughs ever since, but this episode actually makes it look fresh.

Miraculously, the group does make it back to New York. . .but not for long. Ricky's band is booked on a European tour, and the Ricardos and Mertzes find themselves packing their bags for an extended overseas trip. The remainder of the season plays like a series of picture postcards as the gang hops from country to country. See the USS Constitution! See Buckingham Palace! See the Coliseum! See how many different ways the same hotel room set can be dressed!

These episodes don't have the same easy charm of the Hollywood episodes, mostly because they seem like a variation on the trip-to-California theme. Moving the Ricardos and the Mertzes to Hollywood stirred creative juices? Then why not pack them off to Europe! Still, it's hard to complain when some of these episodes are so funny. Lucy's Jacques Marcel couture gown in Paris is actually a potato sack ("Lucy Gets a Paris Gown"). Lucy soaks in local color by stomping grapes.and a peasant woman.at an Italian vineyard ("Lucy's Italian Movie"). The gang - trapped by an avalanche in a deserted mountain cabin outside of Lucerne, Switzerland - reveals their innermost secrets ("Lucy in the Swiss Alps").

These episodes increasingly rely on Lucille Ball's genius for laughs. As a performer, she can seemingly do anything. She frets like an over-caffeinated Chihuahua when Ricky gets more adoration than she does upon their return to New York ("Homecoming"). She walks a fine line between subtle and blowtorch when Lucy convinces herself she's seasick during a ride on the Staten Island Ferry ("Staten Island Ferry"). She takes an indignant, balletic swat at Ricky when he tries to slap her awake at the passport office ("Staten Island Ferry"). And the look of shock and horror upon receiving her first pussful of grapes in "Lucy's Italian Movie" is priceless.

Fred and Ethel sometimes get a chance to shine, but not quite as often as in the past. One especially amusing episode is "Second Honeymoon," in which Ethel and her "Tiger" rekindle their love life aboard the USS Constitution while sailing to Europe. They even neck in a stairwell! Ricky, on the other hand, often disappears for long stretches of time, showing up only to perform a musical number or two. And as for Little Ricky, season five reduces him to a prop. The other actors occasionally carry him onto the set, and then quickly whisk him away. When the gang leaves for Europe, they unceremoniously leave him behind with his grandmother.

Season five also sees the addition of two new writers, Bob Schiller and Bob Weiskopf. The duo would later go on to write many memorable episodes for the final two seasons of All in the Family, including "Edith's Fiftieth Birthday" (in which Edith is threatened by a rapist), "The Stivics Go West" (in which Mike and Gloria move to California), and "Edith's Crisis of Faith (Part 1)" (in which Edith questions her faith when her female impersonator friend is beaten to death at Christmas).

The packaging of The Complete Fifth Season is similar to those for the second, third, and fourth seasons. The twenty-six episodes that make up the fifth season are divided onto four discs. (There are fewer episodes this time around, hence fewer discs.) The discs are housed in slim, clear keepcases. The teal-toned front covers feature production stills from one of the disc's episodes, along with a bright red "I Love Lucy" heart. The back covers include smaller production stills and a list of the episodes and extras found on the DVD. Because the cases are clear, the double-sided coversheets show through to the inside of the case. The interiors include episode titles, original airdates, production numbers and plot synopses. Production stills are also printed on the DVDs in similar color schemes. When the DVDs are removed, they reveal quotes from one of the disc's episodes. The four keepcases slide into a cardboard sleeve which continues the teal-hued look. The packaging is classy and elegant.

The DVD menus are similar to previous I Love Lucy releases.

As stated on the packaging, "Lucy and the Dummy" is edited from its original network version. When the episode first aired, the MGM talent show in which Lucy appears also featured an extensive clip from the latest MGM musical, Guys and Dolls starring Marlon Brando. Unfortunately, the producers of this set were unable to secure the rights to this clip, so it has been cut. Losing it doesn't detract one bit from the episode, and the episode is so complete otherwise that it even includes the emcee's introduction of the clip and the post-clip segue.

Video and Audio

Wow. The audio and video of these restored I Love Lucy episodes are a wonder to behold. They are crisp, clean, and beautiful. For an idea of how magnificently restored these are, take a look at the extras which provide comparisons between the washed-out syndicated cuts and brilliant DVD versions.

Most of the episodes include a Spanish language track and Spanish subtitles. The episodes are also closed captioned.

Extras

Due to time and budget issues, I Love Lucy's scenes were rarely re-shot, thus allowing small mistakes to actually make it to air. Each disc presents "Flubs" from the episodes included on the discs - blunders and inconsistencies that ended up in the episodes. Brief write-ups explain these inconsistencies and errors, plus the "Flubs" menus allow viewers to see isolated clips of the mistakes. These episodes are so engaging, chances are you never even noticed these sometimes glaring errors.

The "Guest Cast" menu on each disc offers short biographical sketches of the show's bit players, including listings of their repeat I Love Lucy appearances. This continues to be an invaluable resource for information on some of Hollywood's best character actors, like Barbara Pepper (Green Acres), Nancy Culp (The Beverly Hillbillies), and Dub Taylor (veteran of every Western to ever feature a horse, including Little House on the Prairie).

All of the discs contain the show's "Original Openings," opening credits that prominently feature the products of the show's fifth season sponsors, General Foods and Proctor & Gamble. The "heart on satin" credits were not added until the show went into syndication. The DVDs retain the heart on satin opening for the individual episodes, while offering several original openings on the bonus menu of each disc, featuring such products as Lilt, Sanka, and Fluffo. Disc one contains Desi Arnaz's official welcome to the show's new sponsors which preceded the original broadcast of "Lucy Visits Grauman's." The menus also explain which openings were used on each episode since the products swapped off from week to week. These openings are awfully cute, although those for Sanka are also a little creepy.

Lucy's creator/producer Jess Oppenheimer and writers Madelyn Pugh and Bob Carroll had previously worked with everyone's favorite redhead on the radio show My Favorite Husband. Each disc contains one episode of the radio show. No Lucy fan will want to miss these gems. Chapter stops allow listeners to jump from one act to another or to skip commercials.

Each disc contains a selection of "Special Footage," some of which has not been seen since the show's original broadcast. When the series was edited for syndication by CBS, the original animated openings and closings were removed, as well as many of the voiceovers that ran over the closing credits. All of these have been fully restored for this release. Disc one presents before and after examples of a "Restored Opening" (:28) and a "Restored Closing" (:21) as well as an example of the "Restored Voiceover" (:26). Similarly, the "Restored Transition" (:26) presents an example of the restored act break animation. The "Lost 'Dummy' Scene" (1:15) is a before and after example of the restored emcee footage in "Lucy and the Dummy" (see above). The "Lost 'Train' Scene" (1:12) also presents before and after footage not seen since 1955 - this time the beautiful on location footage of Frawley and Vance boarding an actual dining car. All of these have, of course, been reinserted to the actual episodes included on these DVDs, but they do serve as a reminder of the excellent work that went into making these releases the definitive Lucy collection. Disc two includes another example of a "Restored Transition" (:30). The "Lost 'Palladium' Scene" (1:57) was originally used to introduce a rerun of "Lucy's Club Dance" while "Lost 'Bon Voyage' Scene" (:58) was a plug for Desi's new MGM album that aired after "Bon Voyage." Disc three's "Lost Tag Scene" (:38) is an end of season "adios" from Lucy and Desi to their loyal audience on the eve of the show's summer hiatus. (Its summer replacement? The Desilu production of Those Whiting Girls). In the "Heart Fund Spot" (:24), Lucy and Desi ask viewers to support their local Heart Association during their annual drive. The duo plugged their upcoming film in a "Forever Darling Promo" (1:06) that aired after the end of the original run of "The Fox Hunt." Disc four includes an "Olympic Fund Spot" (1:10) which originally ran after "The Hedda Hopper Story." Disc four features another example of a "Restored Voiceover" (:18) and a "Restored Opening" (:54).

"Production Notes" are included on each disc. These give written bits of trivia and behind-the-scenes information on the series and individual episodes. Also included are reproductions of script pages, video clips, and photos. Where else can you see J. Edgar Hoover's fan letter to Lucy? Although brief, these production notes are packed with information, and the level of interactivity has improved with each subsequent release.

Disc three includes a "Behind the Scenes" feature consisting of audio excerpts from Jess Oppenheimer's book Laughs, Luck, and Lucy read by actor Larry Dobkin (who appeared in several Lucy episodes and created The Life and Times of Grizzly Adams). Running approximately seven minutes, it centers on Desi Arnaz - his comedic skills, his business acumen, and everyone's initial reluctance to allow Desi to be a part of the show. As always, this excerpt is well worth a listen. Oppenheimer's stories are interesting, and Dobkin is a warm, engaging reader.

Disc four's "Behind the Scenes" feature is a nineteen image photo gallery from the fifth season, including a pair of full color shots of Vance and Frawley in their "Lucy in the Swiss Alps" getups and Arnaz and Ball in full Scottish regalia from "Lucy Goes to Scotland."

The "Jess Oppenheimer Interview" on disc four is also a real treat. Running approximately four minutes, Oppenheimer relates stories about Lucy, the creation of the show, and more. This audio interview is accompanied by a slideshow of images. To hear Oppenheimer talk about the show in his own words and with his own voice will be of great interest to Lucy fans. Also included is a brief written bio of the man Lucille Ball called "the brains" behind I Love Lucy.

Summary

I Love Lucy: The Complete Fifth Season may not be as jam-packed with classic episodes as season four, but who cares? It is still proof positive that in the land of TV sitcoms, Lucy is still queen!

8/17/05

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