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"The one thing I will say, that I know for sure, from then and today, you cannot be creative and do something special STONED. So if anybody thought we were stoned, they were out of their minds." - H.R. Pufnstuf Co-Creator/Producer Marty Krofft

H.R. Pufnstuf: The Complete Series DVD Review

By Jonathan Boudreaux

Beginning in the late 1960s, puppeteer brothers Sid and Marty Krofft became the Norman Lears of Saturday morning. Like that prolific producer, the brothers were involved with the creation of an impressive string of hit shows. After providing costumes for Hanna-Barbera's The Banana Splits Adventure Hour, the siblings went on to create and produce shows of their own, including Sigmund and the Sea Monsters, Lidsville, Land of the Lost, and The Bugaloos. They would later segue into primetime with oddball variety shows like Donny & Marie, The Brady Bunch Hour, and the abysmal Pink Lady.and Jeff. Over the years, all of their shows have attracted cult followings, but probably the most beloved of their shows is also the first that they produced: the wonderfully weird H.R. Pufnstuf.

The wackiness begins with one of the most intricately detailed theme songs in television history. This over two hundred word, two minute opus recounts the story of Jimmy (Oliver!'s Jack Wild, a cross between Mickey Rooney and The Monkee's Davy Jones), a young boy who owns a "magic golden flute" named Freddy. A TALKING magic golden flute, no less. While wandering through the forest with Freddy one summer day, Jimmy comes upon a colorful talking boat that offers to take the young lad on a trip out to sea. Jimmy accepts, not realizing that the boat is a trap set by Witchiepoo (Billie Hayes), an evil witch who wants to steal Freddy. The boat kidnaps Jimmy to Living Island, where Witchiepoo lives. Before the sorceress can capture Jimmy, he is rescued by H.R. Pufnstuf (voiced by Lennie Weinrib), the island's friendly dragon-like mayor. And this all happens just in the theme song.

Many descriptive theme songs, like those for Green Acres and The Brady Bunch, tend to recount the happenings of the series' pilot episode so that viewers of subsequent episodes can become reacquainted with the show's high concept. H.R. Pufnstuf's theme is so detailed, however, that the plot of the first episode simply picks up from where the story related in the theme song left off.

The basic plot of any given episode is simple: Jimmy and Pufnstuf devise a plan to get Jimmy off of the island, Witchiepoo hatches a plan to snatch Freddy, Jimmy foils the witch's plan, and she, in turn, foils his. The End. Along the way, Jimmy meets the denizens of Living Island, including Pufnstuf's miniature helpers Cling and Clang, Witchiepoo's henchmen Orson the vulture and Seymour the spider, friendly owl scientist Dr. Blinky, shady salesman Ludicrous Lion, Grandfather clock and his time-stopping clock friends, Pufnstuf's sister Shirley, and an endless parade of talking trees, lollipops, ants, doors, etc. Most of the characters are played by actors in full-body suits and voiced by Lennie Weinrib, Joan Gerber, and Walker Edmiston.

The world of H.R. Pufnstuf is filled with a riot of color. The show manages to look simultaneously lush and cheap, like a Rembrandt painted on cardboard. This is by no means a flaw. The flatness of the backgrounds and many of the scenic elements provides the show with the look and feel of a live-action cartoon. Witchiepoo and Jimmy are the only recognizably human characters. The others are presented in a variety of imaginative styles, including Disneyland-esque full body costumes (Pufnstuf, Dr. Blinky), traditional puppets (Freddy), and even talking set pieces (a variety of doors, gargoyles, and even complete buildings). This unique, one of a kind style has surely helped to make the series so memorable.

The show does not try to teach its audience any sort of life lessons - there is no educational content. Instead, it functions as pure entertainment, with an appealing mix of slapstick, dumb/funny dialogue, and goofy visual gags. The pace is psychotically frenetic, rushing at a breakneck pace from one plot point to another. (Appropriately, the action slows down only when someone yells "We have to hurry!," which of course causes everyone to slow down).

As Witchiepoo, actress Billie Hayes delivers an admirably unhinged performance. She screeches, cackles, screams, twitches, and writhes, often in the course of the same sentence. Her portrayal walks a fine line between scary and stupid, and the actress steals the show each time she appears on screen.

In this collection's supplemental materials, the Kroffts indicate that the film version of The Wizard of Oz served as a major inspiration for H.R. Pufnstuf. This is especially evident in the first episode, "The Magic Path." These homages include the basic plot (boy in a strange land struggling to get home), evil trees, Witchiepoo's Wicked Witch of the West-like persona, the ubiquity of "little people" in strange costumes, and the yellow brick "magic path" that Jimmy must follow to get home. Plus there's Judy Frog, a dancing amphibian who dresses and sounds like Judy Garland!

All seventeen episodes of the series are included on three discs. The discs are housed in a colorful digipak, which in turn slides into a cardboard sleeve. Two flaps of the digipak provide an episode guide with brief descriptions of each episode. A third panel showcases a listing of which episodes are found on which discs. A booklet housed in a folder panel of the digipak contains a list of the chapter titles found in each episode, an essay on Krofft and Pufnstuf history by TV historian Hal Erickson, a text of the lyrics to the show's theme song, and a list of the series' official credits.

The menu design is rather low-key for a Rhino release, but is easily navigated. The main menu lists the episodes found on the disc. Choosing an individual episode leads to a screen that shows scenes from each of the episode's four chapters. Viewers can jump directly to a chapter or play the entire episode. Although there is no "Play All" feature, once an episode ends, the next episode begins automatically.

Video and Audio

For a thirty-five year old show produced for Saturday morning TV, H.R. Pufnstuf looks surprisingly good. With the exception of one episode, the images are colorful and bright, and there are very few instances of dirt and other debris. There are a few digital flaws/artifacts, but these are few and far between.

The one problematic episode is "Flute, Book, and Candle." The video quality of this episode is noticeably poorer than the others. Inconsistent color, soft focus, an abundance of scratches and dirt, and an overall murkiness give this episode the look of a bad VHS dub. While the quality of this episode is terrible, it does highlight how terrific the other sixteen episodes look.

The series mostly sounds fine, but the audio in "The Stand-in" is somewhat compromised - the theme song wavers slightly.

Extras

On disc one, Sid and Marty Krofft provide commentary on the show's first episode, "The Magic Path." This track is lively and informative - a true must-hear for fans of the series.

The remaining extras are found on disc three. The first is an "Interview with creators Sid & Marty Krofft." The brothers touch on their lengthy showbiz careers (which, incidentally, date back to vaudeville in the late 1930s), how they segued into Saturday morning television, how Jack Wild and other actors were cast in Pufnstuf, the creative successes - and financial woes - of the series, and the rumors of drug references that have wafted around the show throughout the years. Sid tends to natter on throughout the interview's twenty-two minutes while brother Marty seethes over not being allowed to speak.

Next is an "Interview with Billie Hayes (Witchiepoo)." In this eleven minute feature, the chatty actress discusses how her career began, how she became involved with the Kroffts, and the experience of working on the show.

In the twelve minute "Interview with Jack Wild (Jimmy)," the now-craggy actor discusses playing soccer with Phil Collins, the perils of being a child star, life on the set, his Cockney accent, and the whereabouts of Freddie (here's a hint - check Ebay).

An "Interview with TV Historian Hal Erickson" rounds out the interviews with an interesting ten minute overview of the Kroffts' Saturday morning oeuvre. He also addresses the infamous Krofft vs. McDonalds lawsuit, where the Kroffts took on the giant corporation over their use of Pufnstuf-like McDonaldland characters.

The Special Features menu of disc three is also home to "Irving," a 1957 Krofft children's show pilot about a friendly old lion named Irving and the circus pals he met over the years. This charmingly low tech eight minute film employs many unusual marionette puppets - like a piano with actual legs that allow it to run around on stage. This oddity is not to be missed by Krofft fans.

The main menus of all three discs also contain four "TV Land Bonus Spots" - short promos for the cable network that run just over thirty seconds. These spots also run automatically as intros when the discs are placed in the DVD player.

Summary

It is a testament to the vividly imagined world created by the Kroffts that H.R. Pufnstuf is still fondly remembered by fans thirty-five years after its debut. This is especially impressive considering the fact that H.R. Pufnstuf: The Complete Series consists of only seventeen episodes. Highly original and lovably strange, Pufnstuf is a cracked classic.

2/6/04

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