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"Sigmund, you're a rotten sea monster." - Big Daddy in the "Sigmund and the Sea Monsters" opening credits

Sigmund and the Sea Monsters: The Complete First Season DVD Review

By Jonathan Boudreaux

Little Timmy had Lassie, an intelligent collie who often helped to rescue the young orphan from the various scrapes in which he found himself. Sandy and Bud had Flipper, an intelligent dolphin who joined them on many marine-based adventures. As for Johnny and Scott Stuart (Family Affair's Johnny Whitaker and Me and the Chimp's Scott Kolden), they're stuck with Sigmund (Billy Barty in a full-body costume), a naïve, childlike sea monster who looks like a cross between an octopus and a pile of seaweed. Yes, welcome back to the world of Sid and Marty Krofft, where dragon-like creatures are mayors of magical islands, hats have personalities of their own, and families get sucked into time vortexes that take them to lands filled with dinosaurs and creepy lizard men.

Sigmund Ooze is a friendly sea monster who lives with his decidedly less-friendly family in a beachside cave at Dead Man's Point. The Ooze family - Big Daddy, Sweet Mama, and siblings Blurp and Slurp - loves nothing more than to scare humans. When Sigmund proves to be too kind-hearted for such mean-spirited "fun," his family kicks him out of their cave. He meets Johnny and Scott Stuart on the beach, and they agree to take him home. The only problem is that Johnny and Scott's parents are out of town for an extended period of time, leaving the brothers in the care of housekeeper Zelda Marshall (Sister Act's Mary Wickes). Eagle-eyed Zelda is sure to notice a sea monster hanging around the house, and probably won't react as kindly to him as Johnny and Scott have. So Sigmund will just have to live in their backyard clubhouse, a rundown shack that has a strict "no adults" policy.

Each week, the brothers and Sigmund try to avoid the prying eyes of Zelda; Sheriff Bevans (Joe Higgins), her boyfriend; and nosy neighbor Miss Eddels (The Wicked Witch of the West herself, the legendary Margaret Hamilton), while steering clear of Blurp, Slurp, and Big Daddy. It seems that the mean Ooze family quickly came to realize that they couldn't live without Sigmund. After all, he's the favorite of rich Uncle Siggy, his status as a dependent makes Big Daddy's Infernal Revenue Service bill much smaller, and he even wins a big prize from a TV show. Along the way, Sigmund falls in love with a neighbor's dog, Sweet Mama decides to redecorate her cave using the Stuarts' furniture, Sigmund pretends to be a trick-or-treater, and a blow to the head causes him to think he's Johnny and Scott's human brother.

Sigmund is not as psychedelic and strange as other Krofft productions, like H.R. Pufnstuf and Lidsville. Yes, it's about a sea monster, but it looks and feels like a traditional "supernatural" sitcom - like Bewitched – aimed at kids. For years, fans have theorized that Pufnstuf is a thinly veiled tribute to smoking pot. No one, however, seems to blink an eye about the fact that Sigmund is actually about a living, breathing pile of weeds.

Other Krofft shows may get more attention, but Sigmund was actually one of their more successful ventures. Pufnstuf and Lidsville, for example, lasted only 17 episodes apiece. Sigmund was renewed and eventually 29 episodes were filmed. Only Land of the Lost lasted longer (three seasons and 43 episodes). It's easy to see why Sigmund was so successful. It's filled with the kind of stuff kids like - slapstick, stupid puns, and bad, bad jokes. Big Daddy turns on the family's "shellivision" to watch As the Werewolf Turns. They answer their shelliphone - made of conch shells - by saying "shello." Stupid, yes - but undeniably amusing.

One failure of the series is its lame "tribute" to All in the Family. Big Daddy is clearly based on Archie Bunker, right down to his frequent use of "meathead," "stifle," and "dingbat." This isn't funny - it's just a lame rip off. For her part, Sweet Mama comes across as a mix of Edith Bunker and Phyllis Diller.

H.R. Pufnstuf's Jack Wild guest stars as himself in "The Wild Weekend," a dumb episode in which "the famous movie actor" Jack Wild meets Johnny and Scott while hanging around the beach and is invited to spend the weekend at their house. Surely the phrase "famous movie actor" was put in to stroke the star's ego and to get him to agree to appear in another Krofft production, but it is used so many times throughout the episode that it most serves to point out that in no way was Wild an actual famous movie actor.

Almost every episode ends with Johnny singing a Beach Boys-flavored pop tune. The songs aren't that bad, and if some of them sound like rejects from The Monkees, it's no coincidence: songwriter Bobby Hart (here working with Danny Janssen) also wrote songs for that series.

The first sixteen episodes feature the original theme song - "Friends" - and opening credits. Episode seventeen, however, contains a new, less interesting "story song" theme that explains the entire premise of the series. This second theme is in keeping with traditional Krofft theme songs, but isn't as strong as most.

The seventeen episodes that make up The Complete First Season are divided onto three discs. Each disc is decorated with a picture of Sigmund. The discs are housed in a foldout case decorated with publicity photos and production stills. The three discs attach to two panels - one of the panels holds two discs one on top of the other in a figure eight pattern. Another panel of the foldout case lists the episode titles and plot synopses for each disc. The information as printed is incorrect. Episodes 1-6 are on disc 1, episodes 7-12 on disc 2, and episodes 13-17 on disc 3. The case slides into a cardboard sleeve.

The full motion CGI DVD menus are easy to navigate. Viewers can play all episodes or choose an individual one. There are no scene selection menus, but the episodes include chapter stops - including one immediately after the opening credits.

Video and Audio

Sigmund and the Sea Monsters looks as if its been exposed to too much salty sea air. The skin tones in the first episode have a red-orange hue. Skin tones in other episodes look washed out and over exposed. The images are soft and lack detail. Horizontal video glitches can also be seen quite regularly.

The audio - especially in the musical numbers - is often tinny and echo-y, wavering like a car radio with the treble set too high.

Still, one gets the feeling that these episodes look and sound as good as they possibly can.

Extras

Three episodes feature commentary tracks: creator Sid Krofft on "The Monster Who Came to Dinner," and actors Scott Kolden and Johnny Whitaker on "Make Room for Big Daddy" and "Boy for a Day." Krofft's track features some dead air, but his story of discovering "Sigmund" - a giant mass of seaweed - on a beach and taking him home to live in his treehouse is wacky fun. Krofft is gentle and weird, just what one would expect from the creator of such shows as Sigmund and the Sea Monsters and Lidsville. This is definitely a must-listen. For Krofft fans, this extra alone makes this set worth seeking out. Kolden and Whitaker are extremely entertaining, and their commentaries will definitely be a treat to fans. Whitaker on the series' writing: "Some of the dialogue was.uhm.less than funny."

The remaining extras are found on disc three. The "Interview with Actors Scott Kolden and Johnny Whitaker" (20:54) is pretty much self-explanatory. The duo discuss how they got started in the business, how they came to be cast in Sigmund, the virtues of hamburgers, fries, and PB&J sandwiches, the joys of working with Billy Barty, Mary Wickes' mastery of the double take, whether Donnie Osmond is a better kisser than Whitaker, and more. The two are enthusiastic, have terrific rapport, and are seemingly well-adjusted, making it a pleasure to spend half an hour in their company.

In an "Interview with Veteran Krofft writer/producer Si Rose" (8:07), Rose discusses his pre-Krofft work with Bob Hope and on shows like McHale's Navy. Years later, the Kroffts asked him to consult on H.R. Pufnstuf and Sigmund. He even admits that the series rips off.er.pays tribute to.All in the Family. Rose is charming and informative, making this a must-see for Krofft fans.

"Johnny's Video Jukebox" (15:40) presents a reel of Whitaker's songs from the series. The sound quality is pretty poor and the lip-synching is even worse, but fans of the show's faux beach pop will have fun with this extra.

Summary

Sigmund and the Sea Monsters: The Complete First Season isn't the best of the Kroffts, but it is highly entertaining nevertheless. These days, entire cable channels are devoted to playing kids' shows, yet few productions are as imaginative as those hatched by the Kroffts. Get Sigmund and share it with a kid you love.

10/1/05

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